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Untitled 974
16"x20"
Oils, Acrylics on Canvas
This 16"x20" Oils, Acrylics on Canvas painting by Stephen Stocklin features an abstract composition of overlapping geometric and organic forms rendered primarily in soft grays, whites, and pale beiges with strategic accents of bright yellow and red. Multiple white circular and rounded shapes create a sense of depth and layering, while textured gray passages provide structure and shadow. Small yellow rectangles and a striking red diagonal mark add vibrant punctuation to the predominantly neutral palette. Delicate linear marks and subtle brushwork throughout suggest connections and movement between the floating forms.
The painting evokes the architecture of thought—how ideas overlap and stack, some clear and defined, others fading or incomplete, all held together by invisible threads of association. The white circles suggest openings or possibilities, while the yellow and red marks represent moments of insight or urgency that punctuate our contemplative landscape, reminding us that understanding is built not linearly but through the patient accumulation and arrangement of many simultaneous considerations.
16"x20"
Oils, Acrylics on Canvas
This 16"x20" Oils, Acrylics on Canvas painting by Stephen Stocklin features an abstract composition of overlapping geometric and organic forms rendered primarily in soft grays, whites, and pale beiges with strategic accents of bright yellow and red. Multiple white circular and rounded shapes create a sense of depth and layering, while textured gray passages provide structure and shadow. Small yellow rectangles and a striking red diagonal mark add vibrant punctuation to the predominantly neutral palette. Delicate linear marks and subtle brushwork throughout suggest connections and movement between the floating forms.
The painting evokes the architecture of thought—how ideas overlap and stack, some clear and defined, others fading or incomplete, all held together by invisible threads of association. The white circles suggest openings or possibilities, while the yellow and red marks represent moments of insight or urgency that punctuate our contemplative landscape, reminding us that understanding is built not linearly but through the patient accumulation and arrangement of many simultaneous considerations.

