This 24×24 mixed medium painting by Stephen Stocklin features a compact cluster of geometric forms centered on a pale blue-gray field with subtle white brushwork. The composition includes overlapping rectangles and angular shapes in deep navy blue, charcoal black, ochre yellow, and vibrant red-orange, with hints of lime green. Delicate linear marks and a thin vertical line bisecting the canvas add structure, while the surrounding atmospheric field creates a sense of space and quietude around the concentrated color. The forms appear to float or hover, held in careful balance.
The painting evokes the act of building meaning from fragments—like assembling thoughts into coherence, where disparate experiences and emotions come together to form something whole. The expansive pale field suggests the vastness of possibility, while the compact center reminds us that clarity often comes not from accumulating more, but from carefully arranging what matters into a constellation we can comprehend.
This 24×24 mixed medium painting by Stephen Stocklin features a compact cluster of geometric forms centered on a pale blue-gray field with subtle white brushwork. The composition includes overlapping rectangles and angular shapes in deep navy blue, charcoal black, ochre yellow, and vibrant red-orange, with hints of lime green. Delicate linear marks and a thin vertical line bisecting the canvas add structure, while the surrounding atmospheric field creates a sense of space and quietude around the concentrated color. The forms appear to float or hover, held in careful balance.
The painting evokes the act of building meaning from fragments—like assembling thoughts into coherence, where disparate experiences and emotions come together to form something whole. The expansive pale field suggests the vastness of possibility, while the compact center reminds us that clarity often comes not from accumulating more, but from carefully arranging what matters into a constellation we can comprehend.
